Your Excellency, Father Abbot, Reverend Mother, holy priests and brothers, angelic choirs, brothers and sisters all.
A venerable tradition informs us that Ignatius was a disciple of the Apostle John and was consecrated as the Bishop of Antioch by Saint Peter himself. Nearly forty years later, during the reign of the Emperor Trajan, he was condemned to a martyr’s death because he refused to renounce his faith in Christ Jesus.
At which, he was taken in chains from Antioch to Rome, for his sentence to be carried out. Along the way, he wrote letters to the Christian communities he had come to know and love. And in one of those letters, addressed to the Christians at Ephesus, he seems to have had you in mind.
For he urges his priests to be like the strings of a lyre, and, in harmony with their Bishop, to sing Christ Jesus, by the “concord and harmony” of their love.1 Indeed, he calls all the faithful to become members of this choir (chorĂ³s), so that, being harmonious in concord and taking your note from God’s pitch pipe, you may sing with one voice through Jesus Christ to the Father, so that he may hear you and recognize from your good works that you are members of His Son.2
Now, listen closely to his words. The Bishop martyr does not tell the Ephesians that they should sing about Jesus. Nor does he tell them simply to sing beautifully. But they are to sing Christ Jesus to the Father, that he might recognize his beloved Son in the harmony of their lives.
And there is the secret of what it means to be the Church's choir.
Like every choir, it is made up of different voices. Some high, some low. Some strong, some weak. Some accomplished, and some struggling to find the next note.
But when they sing, they are like the strings of a lyre, or the pipes of the great Casavant. In the words of our beloved Pope Benedict, ‘the many pipes and voices becoming one.’3
But such harmony requires humility and sacrifice. The piccolo cannot be jealous of the mighty Contra Bombarde. Each must be content with its own part, and all must embrace what Pope Benedict called “a harmonization of differences.”4
And as you have learned in these days, such harmonization does not come easy. It requires discipline, sacrifice, and the willingness of musicians to listen to one another rather than seek personal prominence.
So it is with the Church. If we are to sing in harmony with the angels, obedience must triumph over conceit, generosity over cynicism, and merciful love over all.’5
And if this harmony is essential for all liturgical music, it is all the more apparent in chant. Unlike much of the choral music we know, with its sopranos and altos and tenors and basses singing different parts, Gregorian chant is ordinarily sung in unison. Everyone sings the same melody.
But that doesn't mean everyone becomes the same person. Each singer brings a different voice, a different temperament, a different history. And each has to learn to listen to the others, to breathe with the others, to resist the temptation to rush ahead or drag behind the others.
And, perhaps hardest of all, each has to learn that his own voice is not the most important voice in the room. For the purpose of chant, like all liturgical music, is not to hear myself sing. It is to hear the Church sing.
And that brings us to what you have been doing last night and today, on this feast of Saint Ignatius of Antioch. You have been learning Gregorian chant and polyphony. Chant, which is, in a very particular way, the music of the Church. Not the only music of the Church, but, as the Second Vatican Council taught, a music which, all things being equal, holds “pride of place” in the Roman liturgy.
Not simply because it is old. There are lots of old things that are not particularly worth preserving. Not simply because it is beautiful. There is plenty of beautiful music that would be entirely inappropriate at Mass. But because Gregorian chant has grown out of the Church's prayer. It has been shaped by centuries of folks like you, seeking to give voice to the Word of God.
And because, unlike so much of the music that surrounds us, Gregorian chant is not primarily concerned with expressing the feelings of the singer. It is concerned with giving voice to the prayer of the Church.
As Pope Benedict reminded us, the liturgy is not something we invent for ourselves, but something we receive. We do not come to perform, or to impress our neighbors, but to surrender our voices to the voice of the Church.
And isn't that a wonderful image of what it means to be a loyal son or daughter of the Church? We are not all the same. We have different personalities, different gifts, different opinions, and sometimes very different ideas about how things ought to be done. But we are each called to profess the one, true faith, to gather around one altar, to offer one sacrifice, and to become one Body in Christ.
Saint Ignatius understood this profoundly. Writing to the Christians at Philadelphia, he urged them to be united around one Eucharist, for there is one flesh of our Lord Jesus Christ, one chalice, and one altar.
One Lord. One altar. One sacrifice. One song.
And here is where Saint Ignatius becomes particularly challenging. For the harmony he describes is not merely musical. It is the harmony of Christian love.
And there is a warning here, especially for those of us who love the beauty and solemnity of the Church's ancient liturgical traditions. It is possible to sing every note perfectly and still be terribly out of tune with the Gospel. It is possible to know every rubric, to pronounce every Latin syllable correctly, to execute every neume with exquisite precision, and still be impatient, uncharitable, proud, or contemptuous of our brothers and sisters.
And if that is the case, what have we accomplished?
We may have produced beautiful music. But have we sung Christ?
So as we leave this workshop, I hope we will take home more than a few new chants, or a better understanding of the modes, or a greater confidence in reading the ancient notation. I hope we will take home something of the wisdom of Saint Ignatius.
That the Church is called to be a choir; that the song she is called to sing is Christ, and that the most beautiful music we will ever make is the harmony of our lives surrendered to him.
Saint Ignatius, pray for us!
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1 Ignatius of Antioch, Ephesians 4:1.
2 Cf. Ignatius of Antioch, Ephesians 4:1.
3 Pope Benedict XVI, September 13, 2006.
4 Pope Benedict XVI, July 11, 2012.
5 Pope Benedict XVI, September 12, 2008



